Cultivation of Contemporary Calligraphers’ Humanistic Literacy -- Taking the Philology as an Example
Keywords:
cultural literacy in philology, calligraphic philology, epigraphy, Chinese character cultureAbstract
In the contemporary era, calligraphers are called upon to diligently cultivate and elevate their humanistic literacy. This article posits that leveraging philology as a vehicle for enhancing calligraphers’ humanistic qualities represents a path ripe for exploration. Within the current academic landscape, there is a pronounced emphasis on the practical utility of philology for calligraphers, highlighting its instrumental role, while its profound significance in fostering calligraphers’ humanistic literacy remains largely overlooked. Consequently, this article delves into the cultivation of the contemporary calligraphers’ humanistic literacy through the prism of philological research, encompassing the exploration of newly discovered written materials and the rich tapestry of Chinese character culture.
References
Chen, S., & Zheng, C. (2021). Chen Shizeng’s history of Chinese painting / Zheng Chang’s history of Chinese art. Jilin People’s Publishing House.
Su, S., (2015). Analysis on formal beauty of Chinese calligraphy from the viewpoint of composition. In Proceedings of the 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (pp. 584–586). Atlantis Press. https://doi.org/10.2991/icelaic-15.2016.151
Hue, M. T. (2010). Aestheticism and spiritualism: A narrative study of the exploration of self through the practice of Chinese calligraphy. Journal of Aesthetic Education, 44(2), 18–30. https://doi.org/10.5406/jaesteduc.44.2.0018
Li, S. (2021). From "Dan(淡)" and "Dan(澹)": On the teaching of "calligraphy philology" in higher calligraphy education. University Calligraphy, (1), 44-47.
Wang, Y. (2020). Reflection on the course of "calligraphic philology" in contemporary higher calligraphy education. University Calligraphy, (3), 57-63.
Liu, D. (2020). On the content and method of curriculum construction for calligraphic philology. University Calligraphy, (3), 66–69.
Cheng, L.(2019). Core position of philology in higher calligraphy education --Discussions starting from writing creation and curriculum setting. Calligraphy Education, (6), 31–37.
Zhang, Q.(2021). Research on the Calligraphy Art of Zeng State Bronze Inscriptions((Master's thesis). Southwest University.DOI: 10.27684/d.cnki.gxndx.2021.004128
Lee, T. K. (2015). Translanguaging and visuality: Translingual practices in literary art. Applied Linguistics Review, 6(4), 441–465. https://doi.org/10.1515/applirev-2015-0022
Zhang, S.-Z., Zheng, M.-Z., & Liu, L.-C. (1979). Excavation report on the Warring States period Zhongshan state tombs in Pingshan County, Hebei Province. Wenwu, (1), 1–31, 97–105. https://doi.org/10.13619/j.cnki.cn11-1532/k.1979.01.001
Guo, C., Fan, G., Chen, H., et al. (2020). Preliminary interpretation of the inscriptions on the Zeng Gong (Tianqiu) bianzhong. Jianghan Archaeology, 166(1), 3–30, 2.
Hammond, D. (2017). Jia’s The Chinese Version. Journal for Cultural Research, 21(1), 16–32. https://doi.org/10.1080/14797585.2017.1281472
Hu, C., & Zhang, Q. (2025). Further discussion on the construction of calligraphic philology. University Calligraphy, (06), 42–46.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Qishen Zhang (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
Similar Articles
- Jingwei Zhang, Narrative Design and Practice of the Game "Chunquan Yao Yuan" in the Context of Cultural Dissemination , Art & Design for Humanity: Vol. 1 No. 01 (2025): Volume 01, Issue 01
- MINGZHEN LIU, From Mental Characters to Shelf-Ready Commodities: A Three-Stage Translation Model for Commercial IP Design Education in the VR Era , Art & Design for Humanity: Vol. 2 No. 02 (2026): Volume 02, Issue 02
- Zhining Liang, Wenjin Shangguan, When Pursuing the Extraordinary, Remain Ordinary—An Exploration of the Aesthetic Logic Behind Liu Hongbiao's Wild Cursive Calligraphy , Art & Design for Humanity: Vol. 2 No. 03 (2026): Volume 02, Issue 03
- Hongling Jiang, Hong Li, Sheng Huang, A Study on the Synesthetic Translation Design of Elderly Rehabilitation Products from the Perspective of Lingnan Regional Culture , Art & Design for Humanity: Vol. 2 No. 04 (2026): Volume 02, Issue 04
- Jingzhe Kang, Article From “What Art Is” to “How Art Exists”: Toward a Praxis–Existence Paradigm for Chinese Art History , Art & Design for Humanity: Vol. 1 No. 02 (2025): Volume 01, Issue 02
- Lei Zhou, Mingjie Yu, Collaborative Practice of Konghou and Guzheng in Poland: A Performer’s Perspective on the Overseas Communication of Traditional Chinese Music , Art & Design for Humanity: Vol. 2 No. 04 (2026): Volume 02, Issue 04
- LEI ZHOU, Cross-Cultural Resonance: Practice-Based Artistic Research on Guzheng–Harp Collaboration and Listener Experience , Art & Design for Humanity: Vol. 2 No. 04 (2026): Volume 02, Issue 04
- LEI ZHOU, Mingjie Yu, Structural Interculturalism and Organological Reform:The Seven-Tone String Zheng “Zheng Xiaomeng” in Dialogic Practice with the Polish Suka , Art & Design for Humanity: Vol. 2 No. 03 (2026): Volume 02, Issue 03
- Duoduo Mou, The Aesthetics of Encounter: Participation and Visual Mediation in Contemporary Trade Fairs , Art & Design for Humanity: Vol. 2 No. 03 (2026): Volume 02, Issue 03
- YIYUN SHAN, Silent Reshaping: The Adaptation Strategies of Mythological Female Figures in Irish Folklore Trilogy , Art & Design for Humanity: Vol. 2 No. 04 (2026): Volume 02, Issue 04
You may also start an advanced similarity search for this article.